Got to see Hot Tub Time Machine this weekend. And I loved it. What a funny stupid movie, even better that the characters go back to 1986.
Rob Corddry rocked it.
Got to see Hot Tub Time Machine this weekend. And I loved it. What a funny stupid movie, even better that the characters go back to 1986.
Rob Corddry rocked it.
We went to the Rodeo, Aquarium Downtown, did yard work, and shopped at the mall. Chad and I were able to celebrate St. Patrick's Day. The boys met family from the Valley (and some here), for the first time.
I am not ready for Spring Break to end. I still need to organize (toys, photos, clothes, utility/pantry room), file paperwork, and spring clean the house.
As for right now... I am going to enjoy watching BOLT with the boys.
Since Miles got sick last week with fever. He would wake up at least twice in the middle of the night. I would comfort him until he would fall back to sleep. Well, this unwanted routine is still going on, but now it is only once at around 2 am. And I am not able to fall back to sleep, as quick as he can. So I watch random shows, not a good selection, until I fall asleep. ZZZZZZZZZZZZZZZZZZZZZZZ
Here a some pictures taken from my mobile phone while in Austin to see PONG.
It's been a tradition to stop by Waterloo Records when in Austin. I bought Pavement - Crooked Rain, Crooked Rain on vinyl and latest PONG Escobarb.
Pictured below is Pavement - Brighten the Corners
And introducing...... Pocket fisherman
Dearest
Do you remember
I am very lucky we cross paths together when we were teenagers. I am thankful to Amber for introducing us on the school bus. Remember?? And running into each other at the mall on the weekends? Those are good memories.
You always make me
feel secure even now more than ever, as well as a confident and loving
mother. It's been an exciting adventure
to see how much we have grown through the years, as teens, to young adults, to
somewhat mature adults; to loving parents supporting each other every day.
You are an amazing father to our precious
boys. This is a journey of life that I
am so blessed to share with you and forever.
I am looking forward to retiring together in the Texas Hill
Country.
I love you. Happy 10th Anniversary to us!
Stereogum Presents:
Radiohead are, for me, as much a straight-up anxiety as they are an
influence. Unimpeachably great, but loved more than listened to (other
than a brief period of Kid A obsession), and even more than
love they inspire in me a feeling of intimidation. Their genius,
though, is elusive, and not easily covered. "Airbag" is an
astonishingly great song, and the way that opening is constructed is
something close to perfect, each instrument entering in a way that is
both beautiful and unexpected, but it's just a slip of a composition:
Take away the arrangement and production elements and there's not much
of a there there. The challenge, then, since it would be
entirely uninteresting to recreate Radiohead's arrangement decisions
with my own sounds, was to create a new set of production decisions, to
invent another way that this slip of a composition could be arranged
into something exceptional. My version has, at least, the merit of
being different. -Doveman
> Stereogum's DOVEMAN archives
(BACK TO TRACKLIST ^)
"Paranoid Android" was the first choice for all of us when asked to do a cover from OK Computer.
The song is so well known that we knew we would be able to use very
little from the original and it would still be recognizable. We had
some discussions about how to arrange the rock-n-roll riff ("Ambition
makes you look..."). It sounds so good on the original but it was a bit
far from what we normally do. We ended up sneaking it in by arranging
it for horns and woodwinds. Our version was made with great help from
the Swedish sound-wiz Petter Samuelsson, who also co-produced and mixed
our new album Private Cinema. Radiohead has definitely inspired
us within our own music and as experimental musicians - we actually
talked about Thom Yorke's vocal phrasing when writing the horn melodies
on our earlier records - but mainly we're impressed by their ability to
make difficult music sound so easy. -Slaraffenland
> Stereogum's SLARAFFENLAND archives
(BACK TO TRACKLIST ^)
OK Computer came out at the perfect time for us. We were
freshmen in college, all wide-eyed and confused and self-important. I
think I'd just broken up with my first serious girlfriend: The
full-frontal despair and paranoia soundtracked the time perfectly. And
of course it sounded amazing...a real eye opener. We actually used to
try to cover "Airbag" live for a very brief period - all those sounds
and the crazy drum breaks - just to see if it was possible (which it
wasn't most nights). That said, we picked "Subterranean Homesick Alien"
because it's the least gloomy song on the album; it's practically
carefree by OK Computer standards. -Ben Sterling, Mobius Band
> Stereogum's MOBIUS BAND archives
(BACK TO TRACKLIST ^)
"Exit Music (For A Film)" was the first Radiohead song I really got
into. My friend Olympia put it on a mixtape for me. At the time I was
struck by how much it sounded like classical music. Now I hear trip-hop
and maybe a little Pavement (?!?!). No matter what I hear in it, this
song is still 100% high-style Radiohead, a super-ambitious,
pre-millennial banger. -Ezra Koenig, Vampire Weekend
> Stereogum's VAMPIRE WEEKEND archives
(BACK TO TRACKLIST ^)
"Let Down" is the first song from OK Computer that really got
me. I was more skeptical then and I remember trying to resist the
record that all my buddies were freaking out about, but then the first
depressed/hopeful (now classic) guitar line of this song cascaded out
of the speakers and caught me off guard. I was instantly moved. By the
end of the second verse I was choking back tears, undone. Days later it
dawned on me that it was possibly the saddest and most beautiful single
the radio would ever play. I still marvel at its sturdy construction
and simple, sketch-like beauty. -David Bazan
> Stereogum's DAVID BAZAN archives
(BACK TO TRACKLIST ^)
Radiohead is probably the band I've spent the most time listening to in the past 10 years, everything from The Bends to the very underrated Hail To The Thief. I chose Karma Police because it has the best bridge ever. ("For a minute there...") -John Vanderslice
> Stereogum's JOHN VANDERSLICE archives
(BACK TO TRACKLIST ^)
Please refer to me as "Samson Dalonoga." -Samson Dalonoga
(BACK TO TRACKLIST ^)
A debate to determine best song from OK Computer amongst my
friends would surely end in camps divided and eventually, one person
telling another that they are an idiot. Hot subject matter, like
talking about The White Album. I'm not saying "Electioneering"
is the best song on the album, but (still, a big claim!) it's certainly
the most badass. It's lyrically everything we want to do - bursts of
concrete imagery. It's the only album that I feel compelled to say way
too grandiose things about, that rock journalists have already said
plenty: Like that OK Computer is the single most important
album to be released during my youth and that it was a rite of passage.
But that really is the truth and I have never had an emotional
connection with an album quite like I have with this one. -Nathan Willett, Cold War Kids
> Stereogum's COLD WAR KIDS archives
(BACK TO TRACKLIST ^)
This may be the finest example of the fear of modern society evident in every corner of OK Computer,
an awareness that would later become key to Radiohead's entire ethos.
Whether the sinister harmony of the guitars and strings or the uneasy
schizophrenic effect created by the dual vocal, there's a paranoia
laced throughout "Climbing Up The Walls" so accurately captures the
mental instability implied in the title. The sublime snare sound only
adds to the helpless feeling that something's not quite how it should
be. From the toys in the basement to the smell of a lonely local man,
this track perfectly tramples over any trace of innocence that may have
been left in today's youth. Scary stuff. -Mark Devine, The Twilight Sad
> Stereogum's THE TWILIGHT SAD archives
(BACK TO TRACKLIST ^)
I really liked the album Pablo Honey, but truly thought OK Computer
was a masterpiece of its genre. "No Suprises" is one of my favorite
songs of the record, and seemed to suite my vocal style well. To be
honest, each and every song is worthy of covering, but this was the one
that occurred to me first. It's melancholic and down tempo, which are
qualities that sometimes appeal to me, qualities that I gravitate
towards in my music. -Marissa Nadler
> Stereogum's MARISSA NADLER archives
(BACK TO TRACKLIST ^)
My Brightest Diamond votes Radiohead our favorite band of all time.
We cannot commodify the value of being able to listen to this record
for years and not tire of it, always hearing something new, the tones
never wearing on your ears but rather endlessly fascinating with
textures and new sound combinations, the songs and voice plumbing the
depths of lostness then raising your spirits to a roaring high. Yes, we
gush and are unashamed of our love. I chose this particular track
because Diamond Girl needed another theme song. -Shara Worden
> Stereogum's MY BRIGHTEST DIAMOND archives
(BACK TO TRACKLIST ^)
I have to admit that when I first heard this album, I rarely
listened to "The Tourist," the last song: You know, the phone rings,
there is laundry to be done, and to think I own it on vinyl! It dawned
on me that this was indeed my favorite song from the record when 1.) I
saw them play it live and 2.) When The Decemberists' bass player Nate
Query's old jazz group used to cover it, and later and to this
day he bows out the melody at sound check on his upright bass. I'm sure
the words are amazing and mean something, but oddly enough given the
band that I spend eight months out of the year touring with, it's
always the melody for me first and I find this one just like an attic
space full of opium and air-conditioning. I couldn't resist singing
"Hey man, slow down" into a vocoder on one track and a whammy pedal on
the other … Flash Hawk temporarily getting taken over by the spirit of
Sir Nose, or perhaps invaded by Dan Deacon. -Chris Funk
> Stereogum's FLASH HAWK PARLOR ENSEMBLE archives
(BACK TO TRACKLIST ^)
We chose "No Surprises" because it is so beautiful and calming - we
did a lot of singing and harmonies and a few quieter songs on our new
album Can I Keep This Pen?, so this seemed like a good
continuation of that. The song is gorgeous but there is also sort of a
foreboding aspect, in line with the vibe of OK Computer as a
whole. We can really relate to the overall theme of the album, having
grown up on Long Island and we have all now lived in NYC for many years
- OK Computer obviously speaks to the suburban (and urban) experience
on so many levels. Also, we thought of the song as a sort of lullabye
for our good friends' new baby, Evelyn - it's an honest lullabye
because the world she has been born into is a scary but beautiful
place. -Correne Spero, Northern State
> Stereogum's NORTHERN STATE archives
(BACK TO TRACKLIST ^)
It's hard to believe "Polyethylene" didn't make OK Computer in hindsight. I've wondered if maybe it was a Bends
era leftover that the band wasn't comfortable with or something; like
when your college self is ashamed of the things your high school self
used to say and do. It's a spectacular song I think. I like how part
one is completely unintelligible (I cobbled together parts of a few
readings, since there's nothing definitive), and how part two is more
muscular than anything the band has done since. Mine is not muscular,
but I'm also not a drummer by trade. Apparently I also can't count to
five, six or seven. But OK Computer (and by extension, the Airbag
EP) is, I believe, one of the records that re-wrote the book about what
a rock record can be; a seamless and beautiful marriage of beauty,
hope, conscience and presentation.
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